Ceramics Vietnam have 5 traits characteristic is expressed through every different era to create different product characteristics: blue enamel start appearing in Bat Trang ceramics have dark green to black lead; brown glaze represents traditional style and techniques drawn in blue enamel; ivory glaze used on various types of pottery from the 17th century to the 19th century, this glaze thin, light yellow color, suitable with the ball floating meticulously decorated; celadon glaze is used in combination with ivory and brown concentric create a unique state of Bat Trang in 16-17 centuries and ceramic mosaic is the only appears in Bat Trang from the late 16th century and the development of joint continue through the 17-19 century.

This is the earliest type of yeast used in Bat Trang from the 14th century is blue ceramic enamel is added to the original color is cobalt oxide. Bat Trang ceramic craftsmen using techniques simultaneously with blue felt tip pen make drawing on pottery tools. Men are not so bare as the blue brown glaze that is always covered with glossy white enamel, with high degrees of glass after firing. Men with shades from blue- green to dark green pencil. Besides the similarities with the blue and white ceramic vases produced in the oven Chu Dau (Hai Duong), Bat Trang pottery blue flowers in early soon have what's unique about the design and ornamentation. The bowl, Europe, vases, lamp blue and white ceramics of Bat Trang have common traits of 14-15 centuries is recognizable drawing style pen reporter, whether painted landscapes, flowers or leaves wire drawing dragons.
Bat Trang ceramic blue and white 16th century, with dark green color. Blue enamel used to paint clouds combined with decorative dragon float to carpentry, painting lotus, the pairs ice fringing the road outside the enamel candlestick abuse on the floating dragon decoration, lotus flowers and strings of legs lamps and incense burners.

The 17th century was a period of less developed blue enamel in Bat Trang. On some of the candlesticks, censers, jars, Bat Trang pottery statues (17th century) is also, enamel paint
Decorative brown in places covered ivory enamel peeling reef, covered seats also yeast, brown with the green color of lead, especially candlesticks and incense burners, enamel blue drawings less elaborate and remarkable condition blurry blue enamel flowing popularity, not realizing motifs. Meanwhile engraved embossing, to carpentry meticulously, reached the peak.
Late 18th century, during the height of the mosaic, Bat Trang appear decorative style combines well with blue paint as, on a lampstand, blue enamel was restored back in Bat Trang pottery.
19th- century blue enamel painted decoration on burners, Choe, vases, jars, bowls, and incense, mushrooms lean stretch enameled ivory or ceramic top, multicolored glaze pottery. The specific definition of yeast expression lam Bat Trang pottery is painted colors and style, generally with excellent bass. Using yeast landscape painted marine blue, houses, castles, characters quite successful on average. Fresh blue colored enamel used to paint decorative pot on top can be a template of the most beautiful blue and white ceramics of Bat Trang in the late 19th century.
In trend influenced styles, themes and competitive market for Chinese ceramics, Bat Trang pottery in the 19th century, there are many cases using multicolored enamel. For example, to present the topic of marine Bat Tien Bat Trang artisans brown glaze and blue enamel used to paint the picture decorative white enameled pot then stretch. Men blue with white enamel paint subjects in another code, target audience, spare fortune burners brown glaze, enamel painted blue willows, orchids, grass floating in the picture Bowl Dance goatherd, blue glaze with brown glaze dark and light colors make up the top of a massive multi-colored glaze. It is also a vivid evidence of the skilled hands of Bat Trang potters for generations inherited and constantly evolving.

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